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India, officially the Republic of India (ISO: Bhārat Gaṇarājya), is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 and from the time of its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 6 Nirmala is a Hindi novel written by Indian writer Munshi Premchand. The melodramatic novel is centered on Nirmala, a young girl who was forced to marry a widower of her father's age. The plot unfolds to reveal her husband's suspicion of a relationship between her and his eldest son, a suspicion that leads to the son's death. A poignant novel first published between 1925 and 1926, Nirmala's reformist agenda is transparent in its theme which deals with the question of dowry, and consequently mismatched marriages and related issues. The story uses fiction to highlight an era of much needed social reform in 1920s Indian society. Nirmala was serialised in Chand, a women's magazine in which the novel's feminist character was represented. Nirmala is somewhat like Godaan (published in 1936) in that it deals with the exploitation of the village poor, and Nandita (2016) in similarities of being shackled by society's narrow expectations of how a woman should be. Nirmala was translated by multiple scholarly translators. It was first translated in 1988 as The Second Wife by David Rubin, and in 1999 as Nirmala by Alok Rai, Premchand's grandson. (Full article...)
    Nirmala is a Hindi novel written by Indian writer Munshi Premchand. The melodramatic novel is centered on Nirmala, a young girl who was forced to marry a widower of her father's age. The plot unfolds to reveal her husband's suspicion of a relationship between her and his eldest son, a suspicion that leads to the son's death.

    A poignant novel first published between 1925 and 1926, Nirmala's reformist agenda is transparent in its theme which deals with the question of dowry, and consequently mismatched marriages and related issues. The story uses fiction to highlight an era of much needed social reform in 1920s Indian society. Nirmala was serialised in Chand, a women's magazine in which the novel's feminist character was represented. Nirmala is somewhat like Godaan (published in 1936) in that it deals with the exploitation of the village poor, and Nandita (2016) in similarities of being shackled by society's narrow expectations of how a woman should be. Nirmala was translated by multiple scholarly translators. It was first translated in 1988 as The Second Wife by David Rubin, and in 1999 as Nirmala by Alok Rai, Premchand's grandson. (Full article...)
  • Image 7 Nadodi Mannan (transl. The Vagabond and the King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest. Made on a budget of ₹18 lakh, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)
    Nadodi Mannan (transl. The Vagabond and the King) is a 1958 Indian Tamil-language action adventure film directed by M. G. Ramachandran in his debut as a filmmaker. He stars in dual roles alongside P. Bhanumathi, M. N. Rajam and B. Saroja Devi. P. S. Veerappa, M. N. Nambiar, M. G. Chakrapani, T. K. Balachandran and Chandrababu play supporting roles. The film revolves around a king being replaced by a look-alike after getting abducted on the eve of his coronation. The look-alike begins to implement social and economic reforms to uplift the poor which irks the kingdom's high priest, who has kidnapped the very person the look-alike resembles. The rest of the film shows how the look-alike saves the man he impersonates and defeats the high priest.

    Made on a budget of ₹18 lakh, Ramachandran co-produced the film with Chakrapani and R. M. Veerappan under the banner of Em.Gee.Yar Pictures. C. Kuppusami, K. Srinivasan, and P. Neelakantan were in charge of the screenplay. Kannadasan and Ravindar undertook the responsibility of writing the dialogues. The cinematography was handled by G. K. Ramu while K. Perumal and C. P. Jambulingam did the editing. S. M. Subbaiah Naidu and N. S. Balakrishnan composed the film's soundtrack and score. Songs from the soundtrack like "Thoongathey Thambi Thoongathey", "Thadukkathey", "Summa Kedandha", and "Senthamizhe" became popular hits. (Full article...)
  • Image 8 Dosanjh in 2011 Ujjal Dev Dosanjh, PC KC (/ˈuːdʒəl doʊˈsɑːndʒ/; Punjabi: ਉੱਜਲ ਦੇਵ ਦੁਸਾਂਝ; born September 9, 1947) is a Canadian lawyer and politician. He served as the 33rd premier of British Columbia from 2000 to 2001 and as a Liberal Party of Canada member of Parliament from 2004 to 2011. He was minister of health from 2004 until 2006, when the party lost government. He then served in the Official Opposition from January 2006 until 2011. Dosanjh was one of four visible minorities to serve in Paul Martin's Ministry. Prior to being involved in federal politics, he spent ten years in provincial politics. He was elected in the Vancouver-Kensington riding in 1991 as a member of the British Columbia New Democratic Party (BC NDP) and re-elected there in 1996. He served as the Attorney General of British Columbia from August 1995 to February 2000. When the leader of his party resigned in 1999, Dosanjh put himself forward as a candidate and won the leadership vote. With the win he became Canada's first Indo-Canadian provincial leader. He served as the 33rd Premier of British Columbia until June 2001 when he lost the province's general election. He was the last NDP premier of the province until John Horgan was elevated to the position in 2017. (Full article...)

    Dosanjh in 2011

    Ujjal Dev Dosanjh, PC KC (/ˈuːdʒəl doʊˈsɑːndʒ/; Punjabi: ਉੱਜਲ ਦੇਵ ਦੁਸਾਂਝ; born September 9, 1947) is a Canadian lawyer and politician. He served as the 33rd premier of British Columbia from 2000 to 2001 and as a Liberal Party of Canada member of Parliament from 2004 to 2011. He was minister of health from 2004 until 2006, when the party lost government. He then served in the Official Opposition from January 2006 until 2011. Dosanjh was one of four visible minorities to serve in Paul Martin's Ministry.

    Prior to being involved in federal politics, he spent ten years in provincial politics. He was elected in the Vancouver-Kensington riding in 1991 as a member of the British Columbia New Democratic Party (BC NDP) and re-elected there in 1996. He served as the Attorney General of British Columbia from August 1995 to February 2000. When the leader of his party resigned in 1999, Dosanjh put himself forward as a candidate and won the leadership vote. With the win he became Canada's first Indo-Canadian provincial leader. He served as the 33rd Premier of British Columbia until June 2001 when he lost the province's general election. He was the last NDP premier of the province until John Horgan was elevated to the position in 2017. (Full article...)
  • Image 9 Khasi women Multiple tribes in the state of Meghalaya in northeast India practise matrilineal descent. Often referred to as Khasi people and Garo people, among the Khasi people which is a term used as a blanket term for various subgroups in Meghalaya who have distinguishing languages, rites, ceremonies, and habits, but share an ethnic identity as Ki Hynniew Trep (The Seven Huts) whereas the Garo people refers to the various groups of Achik people. The Khasi, Garo, and other subgroups have a proud heritage, including matrilineality, although it was reported in 2004 that they were losing some of their matrilineal traits. The tribes are said to belong to one of the "largest surviving matrilineal culture[s]" in the world. (Full article...)
    Khasi women

    Multiple tribes in the state of Meghalaya in northeast India practise matrilineal descent. Often referred to as Khasi people and Garo people, among the Khasi people which is a term used as a blanket term for various subgroups in Meghalaya who have distinguishing languages, rites, ceremonies, and habits, but share an ethnic identity as Ki Hynniew Trep (The Seven Huts) whereas the Garo people refers to the various groups of Achik people. The Khasi, Garo, and other subgroups have a proud heritage, including matrilineality, although it was reported in 2004 that they were losing some of their matrilineal traits. The tribes are said to belong to one of the "largest surviving matrilineal culture[s]" in the world. (Full article...)
  • Image 10 Kuch Kuch Hota Hai is a 1998 Indian Hindi-language musical romantic comedy drama written and directed by Karan Johar and produced by his father Yash Johar under Dharma Productions. It stars Shah Rukh Khan, Kajol, Rani Mukherji and Salman Khan in lead roles, with Sana Saeed in a pivotal supporting role. The plot combines two love triangles set years apart. The first half covers friends on a college campus, while the second tells the story of a widower's young daughter who tries to reunite her dad with his old best friend. Filmed in India, Mauritius, and Scotland, Kuch Kuch Hota Hai was Karan Johar's directorial debut. One of his goals for the film was to set a new level for style in Hindi cinema. The music was composed by Jatin–Lalit, which was the biggest seller of the year. (Full article...)
    Kuch Kuch Hota Hai is a 1998 Indian Hindi-language musical romantic comedy drama written and directed by Karan Johar and produced by his father Yash Johar under Dharma Productions. It stars Shah Rukh Khan, Kajol, Rani Mukherji and Salman Khan in lead roles, with Sana Saeed in a pivotal supporting role. The plot combines two love triangles set years apart. The first half covers friends on a college campus, while the second tells the story of a widower's young daughter who tries to reunite her dad with his old best friend.

    Filmed in India, Mauritius, and Scotland, Kuch Kuch Hota Hai was Karan Johar's directorial debut. One of his goals for the film was to set a new level for style in Hindi cinema. The music was composed by Jatin–Lalit, which was the biggest seller of the year. (Full article...)
  • Image 11 Paava Mannippu (transl. Forgiveness of sins) is a 1961 Indian Tamil-language drama film directed and edited by A. Bhimsingh, who co-produced it under his banner Buddha Pictures, with AVM Productions. The film features an ensemble cast of Sivaji Ganesan, Gemini Ganesan, Savitri, Devika and M. R. Radha. M. V. Rajamma, V. Nagayya, S. V. Subbaiah and T. S. Balaiah play supporting roles. It revolves around four children who are separated from their parents in childhood, then found and raised by foster parents of different religious backgrounds. Bhimsingh initially began work on a film titled Abdullah, starring J. P. Chandrababu who narrated the story to him. Though some scenes were filmed, Bhimsingh was unconvinced with the results; after AVM volunteered to co-produce the film, Bhimsingh redeveloped the script as Paava Mannippu, with Chandrababu replaced by Sivaji Ganesan. The soundtrack and score were composed by Viswanathan–Ramamoorthy while Kannadasan was the lyricist. (Full article...)
    Paava Mannippu (transl. Forgiveness of sins) is a 1961 Indian Tamil-language drama film directed and edited by A. Bhimsingh, who co-produced it under his banner Buddha Pictures, with AVM Productions. The film features an ensemble cast of Sivaji Ganesan, Gemini Ganesan, Savitri, Devika and M. R. Radha. M. V. Rajamma, V. Nagayya, S. V. Subbaiah and T. S. Balaiah play supporting roles. It revolves around four children who are separated from their parents in childhood, then found and raised by foster parents of different religious backgrounds.

    Bhimsingh initially began work on a film titled Abdullah, starring J. P. Chandrababu who narrated the story to him. Though some scenes were filmed, Bhimsingh was unconvinced with the results; after AVM volunteered to co-produce the film, Bhimsingh redeveloped the script as Paava Mannippu, with Chandrababu replaced by Sivaji Ganesan. The soundtrack and score were composed by Viswanathan–Ramamoorthy while Kannadasan was the lyricist. (Full article...)
  • Image 12 Maria Mies (6 February 1931 – 15 May 2023) was a German professor of sociology, a Marxist feminist, an activist for women's rights, and an author. She came from a rural background in the Volcanic Eifel, and initially trained to be a teacher. After working for several years as a primary school teacher and qualifying as a high school instructor, she applied to the Goethe Institute, hoping to work in Africa or Asia. Assigned to a school in Pune, India, she discovered that while her male students took German courses to further their education, women for the most part took her classes to avoid marriage. Returning to study at the University of Cologne, she prepared her dissertation about contradictions of social expectations for women in India in 1971, earning her PhD the following year. Mies was active in social movements from the late 1960s. Her activism was in favour of women's liberation and pacifism and against the Vietnam War and nuclear armaments. She taught sociology at the Cologne University of Applied Sciences and University of Frankfurt Institute for Social Research in the 1970s. Becoming aware of the lack of knowledge about women's history, she helped found and then gave lectures at the first women's shelter in Germany. In 1979, she began teaching women's studies at the International Institute of Social Studies in The Hague and founded a master's degree programme for women from developing countries, based on feminist theory. (Full article...)
    Maria Mies (6 February 1931 – 15 May 2023) was a German professor of sociology, a Marxist feminist, an activist for women's rights, and an author. She came from a rural background in the Volcanic Eifel, and initially trained to be a teacher. After working for several years as a primary school teacher and qualifying as a high school instructor, she applied to the Goethe Institute, hoping to work in Africa or Asia. Assigned to a school in Pune, India, she discovered that while her male students took German courses to further their education, women for the most part took her classes to avoid marriage. Returning to study at the University of Cologne, she prepared her dissertation about contradictions of social expectations for women in India in 1971, earning her PhD the following year.

    Mies was active in social movements from the late 1960s. Her activism was in favour of women's liberation and pacifism and against the Vietnam War and nuclear armaments. She taught sociology at the Cologne University of Applied Sciences and University of Frankfurt Institute for Social Research in the 1970s. Becoming aware of the lack of knowledge about women's history, she helped found and then gave lectures at the first women's shelter in Germany. In 1979, she began teaching women's studies at the International Institute of Social Studies in The Hague and founded a master's degree programme for women from developing countries, based on feminist theory. (Full article...)
  • Image 13 The Bugun liocichla (Liocichla bugunorum) is a passerine bird species from the family Leiothrichidae closely related to the Emei Shan liocichla. First spotted in 1995 in Arunachal Pradesh, India, it was described as a new species in 2006. The description was made without the collection of a type specimen as they were too few to risk killing one. It is thought to be an endangered species, with a small population, and a very restricted distribution range within which commercial development threatens the habitat. (Full article...)

    The Bugun liocichla (Liocichla bugunorum) is a passerine bird species from the family Leiothrichidae closely related to the Emei Shan liocichla. First spotted in 1995 in Arunachal Pradesh, India, it was described as a new species in 2006. The description was made without the collection of a type specimen as they were too few to risk killing one. It is thought to be an endangered species, with a small population, and a very restricted distribution range within which commercial development threatens the habitat. (Full article...)
  • Image 14 The Hindu Mela (transl. Hindu fair) was an annual political and cultural festival (mela) that took place in India during the late 19th century. Initially established in 1867 by Nabagopal Mitra, Rajnarayan Basu, and Manomohan Bose as the Chaitra mela, it was intended to establish unity amongst Indians. It was known for promoting sports, indigenous arts and crafts, nationalistic poetry, and songs. The mela met regularly until 1880, after which it lost its importance due to the establishment of other institutions such as the Indian National Congress. (Full article...)
    The Hindu Mela (transl. Hindu fair) was an annual political and cultural festival (mela) that took place in India during the late 19th century. Initially established in 1867 by Nabagopal Mitra, Rajnarayan Basu, and Manomohan Bose as the Chaitra mela, it was intended to establish unity amongst Indians. It was known for promoting sports, indigenous arts and crafts, nationalistic poetry, and songs. The mela met regularly until 1880, after which it lost its importance due to the establishment of other institutions such as the Indian National Congress. (Full article...)
  • Image 15 Apoorva Raagangal (pronounced [apuːɾʋa ɾaːɡaŋɡaɭ] transl. Rare melodies) is a 1975 Indian Tamil-language romantic drama film written and directed by K. Balachander. It stars Kamal Haasan, Sundarrajan, Srividya and Jayasudha, while Nagesh and Rajinikanth, in his feature film debut, play supporting roles. The film revolves around Prasanna (Haasan) who falls in love with the much older Bhairavi (Srividya) while Bhairavi's daughter Ranjani (Jayasudha) is drawn to Prasanna's father Mahendran (Sundarrajan). Apoorva Raagangal's theme was based on a riddle featured in the Indian folktale collection Vetala Panchavimshati about a king marrying a woman and his son marrying her mother, and Vetala, the riddler asking Vikramaditya what would be their kinship relations if these couples were to beget children. The film was produced by V. Govindarajan and J. Duraisamy under the Kalakendra Films banner, photographed by B. S. Lokanath and edited by N. R. Kittu; the music was composed by M. S. Viswanathan. Unlike many contemporaneous Tamil films, it was shot entirely in actual houses for their interiors without building sets, as Balachander wanted to convey a more authentic narration. (Full article...)
    Apoorva Raagangal (pronounced [apuːɾʋa ɾaːɡaŋɡaɭ] transl. Rare melodies) is a 1975 Indian Tamil-language romantic drama film written and directed by K. Balachander. It stars Kamal Haasan, Sundarrajan, Srividya and Jayasudha, while Nagesh and Rajinikanth, in his feature film debut, play supporting roles. The film revolves around Prasanna (Haasan) who falls in love with the much older Bhairavi (Srividya) while Bhairavi's daughter Ranjani (Jayasudha) is drawn to Prasanna's father Mahendran (Sundarrajan).

    Apoorva Raagangal's theme was based on a riddle featured in the Indian folktale collection Vetala Panchavimshati about a king marrying a woman and his son marrying her mother, and Vetala, the riddler asking Vikramaditya what would be their kinship relations if these couples were to beget children. The film was produced by V. Govindarajan and J. Duraisamy under the Kalakendra Films banner, photographed by B. S. Lokanath and edited by N. R. Kittu; the music was composed by M. S. Viswanathan. Unlike many contemporaneous Tamil films, it was shot entirely in actual houses for their interiors without building sets, as Balachander wanted to convey a more authentic narration. (Full article...)
  • Image 16 Pokiri (transl. Rogue) is a 2006 Indian Telugu-language action thriller film written and directed by Puri Jagannadh. The film was produced by Jagannadh and Manjula Ghattamaneni by their respective production companies Vaishno Academy and Indira Productions. The film stars Mahesh Babu, Ileana, Prakash Raj, Nassar, Ashish Vidyarthi and Sayaji Shinde. In the film, a local goon whose killer instincts earns him not only his girlfriend's disapproval and a corrupt cop's enmity, but also the attention of a wanted crime boss. The film was made on a budget of around ₹12 crore. principal photography commenced in November 2005 and lasted until April 2006. Most of the film was shot in and around Hyderabad and Chennai, except for a song which was shot at the province of Phuket in Thailand and the city of Bangkok. Shyam K. Naidu was the film's cinematographer, and it was edited by Marthand K. Venkatesh. The soundtrack and film score were composed by Mani Sharma. (Full article...)
    Pokiri (transl. Rogue) is a 2006 Indian Telugu-language action thriller film written and directed by Puri Jagannadh. The film was produced by Jagannadh and Manjula Ghattamaneni by their respective production companies Vaishno Academy and Indira Productions. The film stars Mahesh Babu, Ileana, Prakash Raj, Nassar, Ashish Vidyarthi and Sayaji Shinde. In the film, a local goon whose killer instincts earns him not only his girlfriend's disapproval and a corrupt cop's enmity, but also the attention of a wanted crime boss.

    The film was made on a budget of around ₹12 crore. principal photography commenced in November 2005 and lasted until April 2006. Most of the film was shot in and around Hyderabad and Chennai, except for a song which was shot at the province of Phuket in Thailand and the city of Bangkok. Shyam K. Naidu was the film's cinematographer, and it was edited by Marthand K. Venkatesh. The soundtrack and film score were composed by Mani Sharma. (Full article...)
  • Image 17 Defence of the Centurion in Vizagapatam Road, Septr. 15th 1804, Thomas Sutherland The Battle of Vizagapatam was a minor naval engagement fought in the approaches to Vizagapatam harbour in the Coastal Andhra region of British India on the Bay of Bengal on 15 September 1804 during the Napoleonic Wars. A French squadron under Contre-Admiral Charles-Alexandre Léon Durand Linois in the ship of the line Marengo attacked the British Royal Navy fourth rate ship HMS Centurion and two East Indiaman merchant ships anchored in the harbour roads. Linois was engaged in an extended raiding campaign, which had already involved operations in the South China Sea, in the Mozambique Channel, off Ceylon and along the Indian coast of the Bay of Bengal. The French squadron had fought one notable engagement, at the Battle of Pulo Aura on 15 February 1804, in which Linois had attacked the Honourable East India Company's (HEIC) China Fleet, a large convoy of well-armed merchant ships carrying cargo worth £8 million. Linois failed to press the attack and withdrew with the convoy at his mercy, invoking the anger of Napoleon when the news reached France. Since his failure at Pulo Aura, Linois had been cruising the Indian Ocean, and during August and September 1804 had seized a number of valuable merchant ships as his squadron travelled north from Ceylon along the Indian coast of the Bay of Bengal. From a ship captured off Masulipatam, Linois learned of the presence of the East Indiamen at Vizagapatam and determined to attack, unaware that British Rear-Admiral Peter Rainier had replaced the small frigate HMS Wilhelmina with the larger Centurion as the convoy's escort. Arriving off the port at 06:00, Linois advanced on the convoy, causing one of the East Indiamen to drive ashore in panic. The other merchant vessel failed to support the outnumbered Centurion and was captured, but Centurion continued fighting alone. Initially supported by the fire of gun batteries on shore, Centurion later moved out of their range while engaging the French flagship Marengo, which remained well offshore to avoid the coastal shoals. After an engagement lasting four hours Marengo withdrew, the badly damaged Centurion attempting to pursue but without success. Linois's squadron was forced to return to Île de France in the aftermath of the engagement, where Marengo required six months of repairs. (Full article...)

    Defence of the Centurion in Vizagapatam Road, Septr. 15th 1804, Thomas Sutherland

    The Battle of Vizagapatam was a minor naval engagement fought in the approaches to Vizagapatam harbour in the Coastal Andhra region of British India on the Bay of Bengal on 15 September 1804 during the Napoleonic Wars. A French squadron under Contre-Admiral Charles-Alexandre Léon Durand Linois in the ship of the line Marengo attacked the British Royal Navy fourth rate ship HMS Centurion and two East Indiaman merchant ships anchored in the harbour roads. Linois was engaged in an extended raiding campaign, which had already involved operations in the South China Sea, in the Mozambique Channel, off Ceylon and along the Indian coast of the Bay of Bengal. The French squadron had fought one notable engagement, at the Battle of Pulo Aura on 15 February 1804, in which Linois had attacked the Honourable East India Company's (HEIC) China Fleet, a large convoy of well-armed merchant ships carrying cargo worth £8 million. Linois failed to press the attack and withdrew with the convoy at his mercy, invoking the anger of Napoleon when the news reached France.

    Since his failure at Pulo Aura, Linois had been cruising the Indian Ocean, and during August and September 1804 had seized a number of valuable merchant ships as his squadron travelled north from Ceylon along the Indian coast of the Bay of Bengal. From a ship captured off Masulipatam, Linois learned of the presence of the East Indiamen at Vizagapatam and determined to attack, unaware that British Rear-Admiral Peter Rainier had replaced the small frigate HMS Wilhelmina with the larger Centurion as the convoy's escort. Arriving off the port at 06:00, Linois advanced on the convoy, causing one of the East Indiamen to drive ashore in panic. The other merchant vessel failed to support the outnumbered Centurion and was captured, but Centurion continued fighting alone. Initially supported by the fire of gun batteries on shore, Centurion later moved out of their range while engaging the French flagship Marengo, which remained well offshore to avoid the coastal shoals. After an engagement lasting four hours Marengo withdrew, the badly damaged Centurion attempting to pursue but without success. Linois's squadron was forced to return to Île de France in the aftermath of the engagement, where Marengo required six months of repairs. (Full article...)
  • Image 18 Rāmprasād Sen (c. 1723/1718 – c. 1775) was a Hindu Shakta poet and saint of 18th-century Bengal. His bhakti poems, known as Ramprasadi, are still popular in Bengal—they are usually addressed to the Hindu goddess Kali and written in Bengali. Stories of Ramprasad's life typically include legends and myths mixed with biographical details. It is said that, Ramprasad was born into a Bengali Baidya Brahmin family, and showed an inclination towards poetry from an early age. He was highly influenced by Krishnananda Agamavagisha, a Tantric scholar and yogi. Ramprasad became well known for his devotional songs. His life has been the subject of many stories depicting his devotion to, and relationship with, Kali. Ramprasad's literary works include Vidyasundar, Kali-kirtana, Krishna-kirtana and Shaktigiti. (Full article...)

    Rāmprasād Sen (c. 1723/1718 – c. 1775) was a Hindu Shakta poet and saint of 18th-century Bengal. His bhakti poems, known as Ramprasadi, are still popular in Bengal—they are usually addressed to the Hindu goddess Kali and written in Bengali. Stories of Ramprasad's life typically include legends and myths mixed with biographical details.

    It is said that, Ramprasad was born into a Bengali Baidya Brahmin family, and showed an inclination towards poetry from an early age. He was highly influenced by Krishnananda Agamavagisha, a Tantric scholar and yogi. Ramprasad became well known for his devotional songs. His life has been the subject of many stories depicting his devotion to, and relationship with, Kali. Ramprasad's literary works include Vidyasundar, Kali-kirtana, Krishna-kirtana and Shaktigiti. (Full article...)
  • Image 19 Nayak: The Real Hero (/nɑːjək/ transl. Hero) is a 2001 Indian Hindi-language political action film co-written and directed by S. Shankar and produced by A. M. Rathnam under the Sri Surya Movies banner. The film stars Anil Kapoor, with Rani Mukerji, Amrish Puri, Paresh Rawal, and Johnny Lever playing supporting roles. A remake of Shankar's 1999 Tamil-language film Mudhalvan, it focuses on Shivaji Rao Gaekwad (Kapoor), a television cameraman and, later, television presenter, who accidentally hears and records a conversation between the police and the Chief Minister of Maharashtra Balraj Chauhan. While interviewing Chauhan about the issues, Shivaji is challenged to take over the chief minister's job for a day. Nayak was announced in June 2000 and marked the first Hindi-language directorial venture of Shankar. The soundtrack was composed by A. R. Rahman, with lyrics that were written by Anand Bakshi. Filming was done by K. V. Anand, taking place in more than 100 locations across India. The film was released on 7 September 2001. A commercial failure, it grossed ₹20.56 crore (US$2.5 million) at the box office against the total production and marketing cost of ₹21 crore (US$2.5 million). It was opened to mixed reviews from critics, some of whom applauded the storyline, the performances (particularly Kapoor, Puri and Rawal), Shankar's direction and the movie's themes and social message but criticised its lengthy duration, editing, pace and special effects. (Full article...)
    Nayak: The Real Hero (/nɑːjək/ transl. Hero) is a 2001 Indian Hindi-language political action film co-written and directed by S. Shankar and produced by A. M. Rathnam under the Sri Surya Movies banner. The film stars Anil Kapoor, with Rani Mukerji, Amrish Puri, Paresh Rawal, and Johnny Lever playing supporting roles. A remake of Shankar's 1999 Tamil-language film Mudhalvan, it focuses on Shivaji Rao Gaekwad (Kapoor), a television cameraman and, later, television presenter, who accidentally hears and records a conversation between the police and the Chief Minister of Maharashtra Balraj Chauhan. While interviewing Chauhan about the issues, Shivaji is challenged to take over the chief minister's job for a day.

    Nayak was announced in June 2000 and marked the first Hindi-language directorial venture of Shankar. The soundtrack was composed by A. R. Rahman, with lyrics that were written by Anand Bakshi. Filming was done by K. V. Anand, taking place in more than 100 locations across India. The film was released on 7 September 2001. A commercial failure, it grossed ₹20.56 crore (US$2.5 million) at the box office against the total production and marketing cost of ₹21 crore (US$2.5 million). It was opened to mixed reviews from critics, some of whom applauded the storyline, the performances (particularly Kapoor, Puri and Rawal), Shankar's direction and the movie's themes and social message but criticised its lengthy duration, editing, pace and special effects. (Full article...)
  • Image 20 The Padma Vibhushan ("Lotus Decoration") is the second-highest civilian award of the Republic of India, after the Bharat Ratna. Instituted on 2 January 1954, the award is given for "exceptional and distinguished service". All persons without distinction of race, occupation, position or sex are eligible for these awards. However, government servants including those working with public sector undertakings, except doctors and scientists, are not eligible for these Awards. As of 2024[update], the award has been bestowed on 336 individuals, including thirty-one posthumous and twenty-one non-citizen recipients. During 1 May and 15 September of every year, the recommendations for the award are submitted to the Padma Awards Committee, constituted by the Prime Minister of India. The recommendations are received from all the state and the union territory governments, the Ministries of the Government of India, the Bharat Ratna and previous Padma Vibhushan award recipients, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. The committee later submits their recommendations to the Prime Minister and the President of India for the further approval. The award recipients are announced on Republic Day. (Full article...)
    The Padma Vibhushan ("Lotus Decoration") is the second-highest civilian award of the Republic of India, after the Bharat Ratna. Instituted on 2 January 1954, the award is given for "exceptional and distinguished service". All persons without distinction of race, occupation, position or sex are eligible for these awards. However, government servants including those working with public sector undertakings, except doctors and scientists, are not eligible for these Awards. As of 2024, the award has been bestowed on 336 individuals, including thirty-one posthumous and twenty-one non-citizen recipients.

    During 1 May and 15 September of every year, the recommendations for the award are submitted to the Padma Awards Committee, constituted by the Prime Minister of India. The recommendations are received from all the state and the union territory governments, the Ministries of the Government of India, the Bharat Ratna and previous Padma Vibhushan award recipients, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. The committee later submits their recommendations to the Prime Minister and the President of India for the further approval. The award recipients are announced on Republic Day. (Full article...)
  • Image 21 Devdas is a 2002 Indian Hindi-language period romantic drama film directed by Sanjay Leela Bhansali and produced by Bharat Shah under his banner, Mega Bollywood. It stars Shah Rukh Khan, Aishwarya Rai and Madhuri Dixit in lead roles, with Jackie Shroff, Kirron Kher, Smita Jaykar, and Vijayendra Ghatge in supporting roles. Based on the 1917 novel of the same name by Sarat Chandra Chattopadhyay, the film narrates the story of Devdas Mukherjee (Khan), a wealthy law graduate who returns from London to marry his childhood friend, Parvati "Paro" (Rai). However, the rejection of their marriage by his own family sparks his descent into alcoholism, ultimately leading to his emotional deterioration and him seeking refuge with the golden-hearted courtesan Chandramukhi (Dixit). Bhansali was inspired to remake the novel into a film after reading it for a second time, and announced the project in November 1999. The screenplay was written by him and Prakash Ranjit Kapadia, who also wrote the dialogue. Nitin Chandrakant Desai built the sets between August 2000 and May 2001, spending ₹200 million (US$4.12 million). Along with Bhansali and other crews, he did extensive research on Calcuttan building design from the period of the British Raj. Principal photography was handled by Binod Pradhan from November 2000 to April 2002, taking place in Bikaner, Film City, and Filmistan. While Ismail Darbar and Birju Maharaj composed the soundtrack, Monty Sharma composed the background score. (Full article...)
    Devdas is a 2002 Indian Hindi-language period romantic drama film directed by Sanjay Leela Bhansali and produced by Bharat Shah under his banner, Mega Bollywood. It stars Shah Rukh Khan, Aishwarya Rai and Madhuri Dixit in lead roles, with Jackie Shroff, Kirron Kher, Smita Jaykar, and Vijayendra Ghatge in supporting roles. Based on the 1917 novel of the same name by Sarat Chandra Chattopadhyay, the film narrates the story of Devdas Mukherjee (Khan), a wealthy law graduate who returns from London to marry his childhood friend, Parvati "Paro" (Rai). However, the rejection of their marriage by his own family sparks his descent into alcoholism, ultimately leading to his emotional deterioration and him seeking refuge with the golden-hearted courtesan Chandramukhi (Dixit).

    Bhansali was inspired to remake the novel into a film after reading it for a second time, and announced the project in November 1999. The screenplay was written by him and Prakash Ranjit Kapadia, who also wrote the dialogue. Nitin Chandrakant Desai built the sets between August 2000 and May 2001, spending ₹200 million (US$4.12 million). Along with Bhansali and other crews, he did extensive research on Calcuttan building design from the period of the British Raj. Principal photography was handled by Binod Pradhan from November 2000 to April 2002, taking place in Bikaner, Film City, and Filmistan. While Ismail Darbar and Birju Maharaj composed the soundtrack, Monty Sharma composed the background score. (Full article...)
  • Image 22 Karl Marx in Kalbadevi is a 2013 one-man play about the German philosopher Karl Marx played by Satchit Puranik. Written by Uttam Gada and directed by Manoj Shah, the play depicts an imaginary visit by Marx to Kalbadevi, the hypercapitalist area of Mumbai, India. The play tried to introduce to a commercially-minded Gujarati community the ideas of a radical critic of capitalist society, in a style that adopts song, dance, repartee, and interactive badinage with the audience to make his complex ideas more suitable to the taste and cultural background of local audiences. Karl Marx in Kalbadevi was successful and has had hundreds of performances, but received mixed reviews from theatre critics. It was praised for Puranik's performance and for presenting complex ideas simply but criticised for its script. (Full article...)
    Karl Marx in Kalbadevi is a 2013 one-man play about the German philosopher Karl Marx played by Satchit Puranik. Written by Uttam Gada and directed by Manoj Shah, the play depicts an imaginary visit by Marx to Kalbadevi, the hypercapitalist area of Mumbai, India. The play tried to introduce to a commercially-minded Gujarati community the ideas of a radical critic of capitalist society, in a style that adopts song, dance, repartee, and interactive badinage with the audience to make his complex ideas more suitable to the taste and cultural background of local audiences.

    Karl Marx in Kalbadevi was successful and has had hundreds of performances, but received mixed reviews from theatre critics. It was praised for Puranik's performance and for presenting complex ideas simply but criticised for its script. (Full article...)
  • Image 23 The final venue, DY Patil Stadium, before the match The 2014 Indian Super League Final was an association football match between the Kerala Blasters and ATK played on 20 December 2014, at the DY Patil Stadium in Navi Mumbai. The match was the final match to determine the inaugural champion of the Indian Super League for the 2014 season. The Kerala Blasters had qualified for the final through defeating the first-place regular season side, Chennaiyin, 4–3 on aggregate. ATK qualified after defeating Goa in a penalty shoot-out 4–2. Prior to the final, during the regular season, both sides played to a 1–1 draw at the Salt Lake Stadium while Kerala Blasters won the return match 2–1 in Kochi. (Full article...)

    The final venue, DY Patil Stadium, before the match

    The 2014 Indian Super League Final was an association football match between the Kerala Blasters and ATK played on 20 December 2014, at the DY Patil Stadium in Navi Mumbai. The match was the final match to determine the inaugural champion of the Indian Super League for the 2014 season.

    The Kerala Blasters had qualified for the final through defeating the first-place regular season side, Chennaiyin, 4–3 on aggregate. ATK qualified after defeating Goa in a penalty shoot-out 4–2. Prior to the final, during the regular season, both sides played to a 1–1 draw at the Salt Lake Stadium while Kerala Blasters won the return match 2–1 in Kochi. (Full article...)
  • Image 24 Singh 2000 on a stamp of India Subedar and Honorary Captain Karam Singh PVC, MM (15 September 1915 – 20 January 1993) was an Indian soldier and a recipient of the Param Vir Chakra (PVC), India's highest award for gallantry. Singh joined the army in 1941, and took part in the Burma Campaign of World War II, receiving the Military Medal for his actions during the Battle of the Admin Box in 1944. He also fought in the Indo-Pakistani War of 1947, and was awarded the PVC for his role in saving a forward post at Richhmar Gali, south of Tithwal. He was also one of the five soldiers chosen to raise the Indian flag for the first time after independence in 1947. Singh later rose to the rank of subedar, and was conferred the rank of honorary captain before his retirement in September 1969. (Full article...)

    Singh 2000 on a stamp of India

    Subedar and Honorary Captain Karam Singh PVC, MM (15 September 1915 – 20 January 1993) was an Indian soldier and a recipient of the Param Vir Chakra (PVC), India's highest award for gallantry. Singh joined the army in 1941, and took part in the Burma Campaign of World War II, receiving the Military Medal for his actions during the Battle of the Admin Box in 1944. He also fought in the Indo-Pakistani War of 1947, and was awarded the PVC for his role in saving a forward post at Richhmar Gali, south of Tithwal. He was also one of the five soldiers chosen to raise the Indian flag for the first time after independence in 1947. Singh later rose to the rank of subedar, and was conferred the rank of honorary captain before his retirement in September 1969. (Full article...)
  • Image 25 Bhopal: A Prayer for Rain is a 2014 Indian English-language historical drama film directed by Ravi Kumar. Based on the Bhopal disaster that happened in India on 2–3 December 1984, the film stars Martin Sheen, Mischa Barton, Kal Penn, Rajpal Yadav, Tannishtha Chatterjee and Fagun Thakrar. Benjamin Wallfisch composed the film's music. Kumar's idea for making a film based on the Bhopal disaster came after he read a book about it. Shot over a period of 18 months, it was originally scheduled for a late 2010 release. However, the lack of responses from distributors kept delaying the release. In April 2013, a new trailer was released and the film received a market screening at the 2013 Cannes Film Festival on 16 and 19 May. It was also screened at Pan Asia, Dingle and the Tokyo International film festivals. Bhopal: A Prayer for Rain was released in the United States on 7 November 2014 and in India on 5 December 2014. A private screening of the film was held at the youth assembly in the United Nations on 7 August 2014. (Full article...)
    Bhopal: A Prayer for Rain is a 2014 Indian English-language historical drama film directed by Ravi Kumar. Based on the Bhopal disaster that happened in India on 2–3 December 1984, the film stars Martin Sheen, Mischa Barton, Kal Penn, Rajpal Yadav, Tannishtha Chatterjee and Fagun Thakrar. Benjamin Wallfisch composed the film's music. Kumar's idea for making a film based on the Bhopal disaster came after he read a book about it. Shot over a period of 18 months, it was originally scheduled for a late 2010 release. However, the lack of responses from distributors kept delaying the release.

    In April 2013, a new trailer was released and the film received a market screening at the 2013 Cannes Film Festival on 16 and 19 May. It was also screened at Pan Asia, Dingle and the Tokyo International film festivals. Bhopal: A Prayer for Rain was released in the United States on 7 November 2014 and in India on 5 December 2014. A private screening of the film was held at the youth assembly in the United Nations on 7 August 2014. (Full article...)
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    The United Kingdom and Mauritius jointly announce that a deal has been made to resolve the dispute over the Chagos Archipelago, with sovereignty of the British Indian Ocean Territory being handed over to Mauritius in exchange for the United Kingdom and the United States retaining control of the military base on Diego Garcia for the next 99 years. (BBC News) (Reuters)
    26 September 2024 – 2024 India floods
    2024 Jivitputrika tragedy
    At least 46 people, including 37 children, who were taking part in Jivitputrika festivities in Bihar, India, drown in rivers and bodies of water swollen by ongoing flooding across India. (Reuters)
    Up to 275 mm (10.8 in) of rain falls across Mumbai, India, causing at least four deaths. (Al Arabiya)

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