Jump to content

Caeneus

From Wikipedia, the free encyclopedia
Fig. 1 Two centaurs pound Caeneus into the ground with tree trunks; bronze relief from Olympia, Archaeological Museum of Olympia BE 11a (mid seventh century BC)[1]

In Greek mythology, Caeneus (/ˈsɛnjs/ SEN-yooss; Ancient Greek: Καινεύς, romanizedKaineús) was born a female, Caenis (/ˈsnɪs/; Ancient Greek: Καινίς, romanizedKainís) the daughter of Elatus, who was raped by Poseidon and transformed by him into an invulnerable man. He was a Lapith ruler of Thessaly, and the father of the Argonaut Coronus. He participated in the Centauromachy, and, because of his invulnerability, he was killed by the Centaurs by being pounded into the ground.[2]

Family[edit]

Caeneus's father was the Lapith king Elatus from Gyrton in Thessaly,[3] and his son was the Argonaut Coronus.[4] According to the mythographer Hyginus, Caeneus' mother was Hippea, the daughter of Antippus who a Thessalian from Larissa, his brothers were Ischys, and the Argonaut Polyphemus, and, in addition to Coronus, he had two other sons Phocus, and Priasus, who were also Argonauts.[5] According to Antoninus Liberalis, his father was Atrax.[6]

Mythology[edit]

Transformation[edit]

Caeneus was originally a woman who was transformed into a man by the sea-god Poseidon.[7] Although possibly as old as the Hesiodic Catalogue of Women (c. first half of the sixth century BC),[8] the oldest secure mention of this transformation comes from the mythographer Acusilaus (sixth to fifth century BC).[9] According to Acusilaus, after having sex with Poseidon, Elatus' daughter (here called Caene), because of some (sacred?) prohibition, did not want to have a child by Poseidon, or anyone else, so, to prevent this, Poseidon transformed her into an invulnerable man, stronger than any other.[10] However, according to the usual version of events, after having sex with Caenis, Poeisdon promised he would do whatever she wanted, so Caenis asked to be transformed into an invulnerable man, which Poseidon did.[11]

Kingship[edit]

Besides the Centaurmachy, little is said about Caeneus's activities after his transformation. According to Acusilaus, Caeneus was the strongest warrior of his day, and became king of the Lapiths.[12] However because of an act of impiety, Caeneus angered the gods. Acusilaus says that Caeneus set up his spear (somewhere? and did something?)—the transmitted text here is corrupt. However, according to an Iliad scholiast, Caeneus setup his spear in the agora and ordered his subjects to worship it, while according to a scholiast on Apollonius of Rhodes' Argonautica, Caeneus himself worshipped his spear rather than the gods. In either case, Caenus' actions so offended the gods that, as Acusilaus goes on to say, Zeus sent the Centaurs against him.[13] The Oxyrhynchus Papyrus that supplies Acusilaus' account, says that Caeneus was used, by Theophrastos, as an example of ruling by the "spear" rather than the "scepter", that is by force rather than authority.[14]

Both the Roman poet Ovid and the Roman mythographer Hyginus, also list Caeneus among those who took part in the Calydonian boar hunt, although no details of his participation are given.[15]

Centauromachy[edit]

Fig. 2 Caeneus, already halfway into the ground, being hammered by three Centaurs, one using a tree trunk (on the left) and two using boulders (on the right); volute krater, François Vase, by Kleitias, Florence, National Archaeological Museum 4209 (c. 570–560 BC).[16]

Caeneus fought and was killed (usually) in the Centauromachy, the battle between the Lapiths and the Centaurs at the wedding feast of Pirithous. Because of his invulnerability, in order to defeat Caeneus, the Centaurs had to hammer him into the ground with tree trunks and boulders.[17]

Caeneus' earliest mention occurs in Homer's Iliad, where Nestor names Caeneus among those "mightiest" of warriors who fought and defeated the Centaurs:[18]

Such warriors have I never since seen, or shall see, as Peirithous was, and Dryas, shepherd of men, and Caeneus, and Exadius, and godlike Polyphemus, and Theseus, son of Aegeus, peer of the immortals. Mightiest were these of all men reared on the earth; mightiest were they, and with the mightiest did they fight, with the centaurs that had their lairs among the mountains, and terribly did they destroy them.[19]

The Hesiodic Shield of Heracles (c. first half of the sixth century BC)[20] describes "the spear-bearing Lapiths around Caeneus their king" battling the Centaurs who fought with fir trees.[21]

There is no mention in Homer, or the Shield, of the story of Caeneus' invulnerability and the unique manner of his death at the hands of the Centaurs which invulnerability entailed.[22] However, the Centaurmachy was a popular theme in Greek art, and depictions of Caeneus show that this story was well known by at least as early as the seventh century BC. Two Centaurs are shown pounding Caeneus into the ground with tree trunks on a mid seventh-century BC bronze relief from Olympia (Fig. 1), and on the François Vase (c. 570–560 BC), Caeneus, already halfway into the ground, is being pounded by three Centaurs, two using boulders and one a tree trunk (Fig. 2).[23]

The first preserved literary mention of Caeneus killed by the Centaurs is found in Acusilaus, which says that the Centaurs beat him into the ground and sealed him in with a rock. The fifth-century BC Greek poet Pindar apparently also referred to Caeneus being driven vertically (ὀρθῷ ποδὶ) into the ground.[24] However, Hyginus listed Caeneus among those wo killed themselves.[25]

In Virgil's Aeneid, Aeneas visits a region of the Underworld called the Lugentes campi ("Mourning Fields), where those who died for love reside.[26] There Aeneas sees Caeneus who, although once a man, is now a woman again, "turned back by Fate into her form of old".[27]

Iconography[edit]

Caeneus is one of the earliest mythological figures in ancient Greek art that can be securely identified.[28] Although no surviving example of Caeneus' original femininity and transformation is found,[29] the Centaurmachy was a popular theme,[30] and many examples show depictions of Caeneus battling Centaurs. The earliest depiction is the bronze relief from Olympia (Fig. 1) mentioned above where two Centaurs hammer Caeneus into the ground with tree trunks.[31] That Caeneus is here depicted without a shield (having instead a sword in each hand) implies invulnerability.[32]

The François Vase (Fig. 2), also mentioned above, from the mid-sixth century BC, shows Caeneus already halfway into the ground, being pounded by three Centaurs, using boulders and a tree trunk.[33] Similar depictions appeared on temple friezes from the second half of the fifth century BC, including those on the Temple of Hephaestus at Athens, the Temple of Apollo Epicurius at Bassae, and the Temple of Poseidon at Sounion.[34]

In the Metamorphoses[edit]

Poseidon and Caenis, woodcut illustration for Ovid's Metamorphoses book 12 by Virgil Solis, 1563.

Caeneus' legend is found in Metamorphoses, where he is mentioned briefly as a participant in the hunt for the Calydonian Boar. Some time after this appearance, Nestor tells the story of Caeneus to Achilles in fuller detail, describing his transformation from female to male. In Ovid's retelling, placed in the mouth of the aged Homeric hero Nestor, Caenis, the daughter of Elatus (a Lapith chieftain) and Hippea, was raped by Poseidon, who then fulfilled her request to be changed into a man so that she could never be raped again; he also made Caenis invulnerable to weaponry. Caenis then changed his name to Caeneus and became a warrior, traveling all over Thessaly, and later taking part in the hunt for the Calydonian Boar.[35]

In Ovid's description of the tale, a particular centaur, Latreus, mocks Caeneus and denies his skill as a fighter when he realizes that Caeneus is originally female. Caeneus strikes Latreus a blow in the side, and is unharmed by the centaur's last attempts at wounding him. In revenge for this, the centaurs piled pine-tree trunks (some say fir trees) and stones upon him, since he was immune to weapons.

This legend is described in Ovid's Metamorphoses as well, and implies that Caeneus is falling directly into Tartarus. Ovid states that Caeneus flew away from the pile of tree trunks as a golden-winged bird. This version of the ending is witnessed by Mopsus as well as Nestor, who tells the story.[36]

See also[edit]

Notes[edit]

  1. ^ Gantz, pp. 280–281; Laufer, p. 888, no. 61; Digital LIMC 22983; LIMC V-2, p. 573, Kaineus 61.
  2. ^ Rose, s.v. Caeneus; Visser s.v. Caeneus; Grimal, s.v. Caeneus; Tripp, s.v. Caeneus.
  3. ^ Rose, s.v. Caeneus; Grimal, s.v. Caeneus; Tripp, s.v. Caeneus; Parada, s.v. Caeneus 1; Hesiod, Catalogue of Women fr. 165 Most [= fr. 87 MW]; Acusilaus fr. 22 Fowler [= fr. 40a Freeman]; Hyginus, Fabulae 14, 173, 242; Ovid, Metamorphoses 12.189.
  4. ^ Parada, s.v. Coronus 1; Homer, Iliad 2.746; Apollonius of Rhodes, Argonautica, 1.57-64; Hyginus, Fabulae 14.
  5. ^ Parada, s.vv. Caeneus 1, Hippea; Hyginus, Fabulae 14. For Ischys as brother, see also Apollodorus, 3.10.3. Apollodorus, 1.9.16 lists "Caeneus, son of Coronus", as one of the Argonauts, which—under the assumption that this is the same Coronus, that this is not a mixup of the two names, and does not represents a separate tradition in which Caeneus was an Argonaut—would make this Argonaut Caeneus a grandson of Caeneus, see Parada, s.v. Coronus 1.
  6. ^ Parada, s.v. Caeneus 1; Antoninus Liberalis, Metamorphoses 17.
  7. ^ Acusilaus fr. 22 Fowler; Hesiod fr. 165 Most [= fr. 87 MW]; Ovid, Metamorphoses 12.168–209; Apollodorus, E.1.22; Plutarch, How a Man May Become Aware of His Progress in Virtue (Quomodo quis suos in virtute sentiat profectus) 75 E; Lucian, De Saltatione 56, Gallus 19; Antoninus Liberalis, Metamorphoses 17.
  8. ^ Most 2018b, p. liii
  9. ^ Fowler 2013, p. 160. As for the possibly older Hesiod fr. 165 Most [= fr. 87 MW = Phlegon, On Marvelous Things 5], according to Fowler, "some doubt must attach to the list of authorities at the outset of Phlegon's account."
  10. ^ Fowler 2013, pp. 160–161; Gantz, p. 181; Acusilaus fr. 22 Fowler [= fr. 40a Freeman]. According to Fowler, the implication here is that because intercourse with a god would always produce a child, her transformation would prevent this. He also suggests that the prohibition was perhaps one involving intercourse in a sanctuary or with a virgin priestess.
  11. ^ Fowler 2013, p. 160; Gantz, p. 281; Hesiod fr. 165 Most; Ovid, Metamorphoses 12.168–209; Apollodorus, E.1.22; Scholia on Homer's Iliad 1.264.
  12. ^ Acusilaus fr. 22 Fowler [= fr. 40a Freeman]. The Shield of Heracles 178–190, also has Caeneus as king of the Lapiths.
  13. ^ Hard, p. 557; Fowler 2013, p. 160; Gantz, p. 281; Frazer's note to Apollodorus E.1.22; Acusilaus fr. 22 Fowler [= fr. 40a Freeman]; Scholia D. on Iliad 1.264; Scholia on Apollonius of Rhodes Argonautica 1.57.
  14. ^ Fowler 2013, p. 160.
  15. ^ Ovid, Metamorphoses 8.305; Hyginus, Fabulae 173.
  16. ^ Gantz, p. 281; Laufer, p. 888, no. 67; Digital LIMC 1602; LIMC V-2, p. 574, Kaineus 67.
  17. ^ Gantz, p. 280; Shield of Heracles 178–190; Acusilaus fr. 22 Fowler [= fr. 40a Freeman]; Pindar fr. 128f Race [= fr. 128f SM]; Apollonius of Rhodes, Argonautica 1.57-64; Apollodorus, E.1.22; Orphic Argonautica 168.
  18. ^ Fowler 2013, p. 159; Gantz, p. 278.
  19. ^ Homer, Iliad 1.262–268.
  20. ^ Most 2018b, p. lvii.
  21. ^ Shield of Heracles 178–190.
  22. ^ Fowler 2013, p. 159. However, in the case of the Iliad, as Fowler notes (citing Griffin), this is the kind of detail Homer would suppress. According to Griffin, p. 40, "the fantastic" is used sparingly by Homer, and in particular "invulnerability ... is un-Homeric".
  23. ^ Fowler 2013, pp. 159–160; Gantz, pp. 280–281.
  24. ^ Fowler 2013, pp. 159–160; Gantz, pp. 280–281; Acusilaus fr. 22 Fowler [= fr. 40a Freeman]; Pindar fr. 128f Race [= fr. 128f SM]; cf. Plutarch, The Stoics Talk More Paradoxically Than The Poets (Compendium Argumenti Stoicos absurdiora poetis dicere) 1057 D. For the meaning of Pindar's "ὀρθῷ ποδὶ" see Slater s.v. ὀρθός.
  25. ^ Hyginus, Fabulae 242.
  26. ^ Knox, pp. 74–75.
  27. ^ Virgil, Aeneid 6.440–451.
  28. ^ Fowler, p. 159; For a comprehensive discussion of Caeneus iconography see Laufer, pp. 884–891 (images: LIMC V-2, pp. 563–576).
  29. ^ Laufer, p. 885.
  30. ^ Fowler, p. 159.
  31. ^ For Gantz, p. 281, the relief presents an "unmistakable" depiction of Caeneus.
  32. ^ Fowler, p. 159.
  33. ^ Fowler 2013, pp. 159–160; Gantz, pp. 280–281.
  34. ^ Gantz, p. 281; Laufer, p. 888, nos. 54–56, fig. Kaineus 57; LIMC V-2, p. 572, Kaineus 56.
  35. ^ Hyginus, Fabulae 173.
  36. ^ Papaioannou, Sophia (2007). Redesigning Achilles. Walter de Gruyter GmbH & Co. KG, 10785 Berlin, Germany.: Deutsche Nationalbibliothek. p. 120. ISBN 978-3-11-020048-5.{{cite book}}: CS1 maint: location (link)

References[edit]

External links[edit]