Boris Christoff
Boris Christoff | |
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Борис Кирилов Христов | |
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Born | Plovdiv, Bulgaria | 18 May 1914
Died | 28 June 1993 Rome, Italy | (aged 79)
Resting place | Central Sofia Cemetery 42°42′48.1″N 023°19′58.5″E / 42.713361°N 23.332917°E |
Citizenship | Bulgarian, Italian |
Education | Sofia University, Kingdom of Bulgaria (D.JUR.) |
Occupation | Opera singer (bass) |
Spouse | Franca de Rensis |
Relatives | Tito Gobbi (brother-in-law) |
Awards | Léonie Sonning Music Prize; Commendatore Ordine al Merito della Repubblica Italiana |
Website | borischristoff |
Boris Christoff (Bulgarian: Борис Кирилов Христов, romanized: Boris Kirilov Hristov, IPA: [boˈris ˈkiriɫof ˈxristof]; 18 May 1914 – 28 June 1993) was a Bulgarian opera singer, widely considered one of the greatest basses of the 20th century.[1][2][3][4]
Early life
[edit]He was born in Plovdiv on 18 May 1914 to parents Kyryl Christov and Rayna Teodorova.[5] His grand-father Hristo Sovichanov had been a famous cantor at Bitola (then in the Ottoman Empire). Where he was singing in the Bulgarian Exarchist church, during the service many other believers (Turks, Jews) gathered in front of the church entrance to listen to him.[6][7] Being also a Bulgarian revolutionary, as well as his son Kyryl, after the defeat of the Ilinden–Preobrazhenie Uprising, they moved to Bulgaria.[7][8] All three of Hristo's children were good singers, Kyryl (Boris Christoff's father) was a tenor, sang at secular and church choirs, sang also for Radio Sofia and for the Institute of Music at the BAS.[9]
Boris Christoff demonstrated early his singing talent and sang at the choir of the St. Alexander Nevsky Cathedral, Sofia and the choir Gusla.[10] In 1938 he graduated in law and started a career as a magistrate.[11] He continued singing in his spare time in the Gusla Chorus in Sofia, achieving an enormous success as the chorus soloist in 1940.[1] Thanks to a government grant, Christoff left in May 1942 for Italy where he was tutored for two years in the core Italian bass repertoire by the great baritone of an earlier generation, Riccardo Stracciari.[1]
Performance career
[edit]After two visits in Bulgaria in 1943, Boris Christoff went to Austria. He took lessons in Wien, Prague and Salzbourg and had several guest appearances and recitals in Wien and Dresden. In 1944 he was arrested and sent to a prison camp near Feldkirch. He was released from it in May 1945 by the French troops. The commanding colonel, having heard his singing, helped him go to Italy. Later, Boris Hristov made every effort to find this person ("He was my savior!"), but to no avail.[12]
His first concert in Italy was in December 1945 in Rome with the Symphony orchestra of the Santa Cecilia Academy of Music, and was dedicated to Bulgarian and Russian music.[3] Christoff made his operatic debut as Colline in La bohème at Reggio Calabria on 12 March 1946.[1] In following years Christoff appeared in a number of roles at Milan's La Scala, Venice's La Fenice, the Rome Opera, Covent Garden in London, the opera theatres in Naples, Barcelona, Lisbon, Rio de Janeiro, etc.[1]
In 1950 he was invited to sing at the Metropolitan Opera in New York City but was refused entry into the USA as a result of the McCarran Immigration Act, which banned citizens of Eastern bloc countries from entering the country. The role was instead filled by the young Italian basso, Cesare Siepi. After the restrictions were loosened, Christoff made an operatic debut in the United States in 1956 at the San Francisco Opera.[1] He refused any further invitations to the Metropolitan and never appeared there. After a brief absence from the scene due to brain tumour surgery in 1964, Christoff resumed his career.[6]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/6/61/Boris_Christov.jpg/210px-Boris_Christov.jpg)
In the 1970s Christoff on-stage performances became more infrequent. In St. Alexander Nevsky Cathedral in Sofia he recorded bulgarian and russian religious chants, together with the choir of the cathedral and the conductor Angel Popkonstantinov.[13] Boris Christoff took an active part in the very work of creating the record. In 1978, he again recorded in the same cathedral Liturgia Domestica by Alexander Grechaninov, with the participation of the Bulgarian Choir Chapel Svetoslav Obretenov and a small string ensemble from the Symphony Orchestra of the Bulgarian Radio and conductor Georgi Robev. This is the first recording in the world of the Domestic Liturgy, and for the first time an orchestra was included in its performance, albeit a small one.[14]
He brought his career to an end with a final concert at the Accademia di Bulgaria in Rome on 22 June 1986. He died in Rome in 1993 and his body was returned to Bulgaria, lay in repose in St. Alexander Nevski Cathedral[10] and was buried in section 46 of Sofia Central Cemetery.[8]
Voice, repertoire, character
[edit]Christoff had an excellent voice with a distinctive dark tone. Although it was not as large as some other bass voices, he had no trouble making an impact in big spaces like the San Francisco Opera. Owing to his stage presence and dramatic temperament, he was a worthy heir to the grand tradition of Slavonic basses exemplified by Fyodor Stravinsky, Lev Sibiriakov, Vladimir Kastorsky, Feodor Chaliapin, Alexander Kipnis and Mark Reizen, among others.[1] He sang mostly in Verdi and the Russian repertoire, and was also a refined performer of vocal chamber music. Among his most famous roles were those of Tsar Boris (Mussorgsky - Boris Godunov), Philip II (Verdi - Don Carlo), Mephistopheles (Gounod - Faust and Boito - Mefistofele), Ivan Susanin (Glinka - A Life for the Tsar), Zaccaria (Verdi - Nabucco), Tsar Ivan (Rimsky-Korsakov - Ivan the Terrible), Dosifei (Mussorgsky - Khovanshchina), Gomez da Silva (Verdi - Ernani), Fiesco (Verdi - Simon Boccanegra), Attila (Verdi - Attila), Padre Guardiano (Verdi - La forza del destino), Galitzky and Kontchak (Borodin - Prince Igor) and others.
Christoff made studio recordings of eight operas (Don Carlo, Boris Godunov and Faust twice each) and numerous live recordings (radio or stage performances). He was much admired as song singer and he recorded more than 200 Russian songs by Mussorgsky (he was the first to record all his 63 songs), Tchaikovsky, Rimsky-Korsakov, Glinka, Borodin, Cui, Balakirev as well as traditional songs, mostly with piano accompaniment. He initiated the tradition of making studio recordings of Boris Godunov with the same basso singing three roles (Boris, Varlaam, Pimen).
While he was a grand performer on stage, Christoff had difficult off-stage relations with fellow singers and producers, which sometimes grew into public scandals.[4] In 1955 he fell out with Maria Callas during the performances of Medea at the Rome Opera and in 1961 his contract with La Scala was terminated after an open conflict with fellow Bulgarian Nicolai Ghiaurov whom Christoff blamed for collaborating with the Bulgarian communist regime. Herbert von Karajan tried to make him sing the title role in Don Giovanni which would have been inappropriate for his range; this prompted him to sever relations with von Karajan.[citation needed]
He was the brother-in-law of the Italian baritone Tito Gobbi.
![](http://upload.wikimedia.org/wikipedia/commons/thumb/7/73/Monument_of_Boris_Christoff%2C_Sofia.jpg/400px-Monument_of_Boris_Christoff%2C_Sofia.jpg)
Recordings
[edit]Many recordings are available. The following list contains just a few.
- His complete songs by Mussorgsky are available, produced by EMI.
- He recorded the Verdi Requiem 3 times, once under Tullio Serafin in Rome 1959, once with Herbert von Karajan and once with Bruno Bartoletti.
- Two recordings of Boris Godunov are available with Christoff singing three roles: Boris, Pimen, and Father Varlaam.
- Two performances in major Wagner roles are available, both sung in Italian: Gurnemanz in Parsifal conducted in Rome 1950 by Vittorio Gui, and Pogner the goldsmith in Die Meistersinger von Nürnberg, conducted (studio) by Lovro von Matačić in Torino 1962.
- Lugano Recital 1976 [DVD]
Awards
[edit]- Commendatore della Repubblica italiana[15]
- People's artist of Bulgaria[15]
- Doctor honoris causa of the Opera de Paris[15]
- Comandante dos Cavaleiros dos Santos Apóstolos Pedro e Paulo (Brasil)[15]
Boris Christov is the recipient of numerous music awards, including the Grand Prix du Disque (1953) – the highest international award of the French Academy for Gramophone Recordings,[16] Academie du Disque Français (1953, 1957), Academie Charles Cros (1953, 1954, 1955, 1956, 1957, 1958),[15] Edison Award (1964),[17] Sonning Award (1969; Denmark) and others.
Honors
[edit]- A rocky cliff forming Aytos Point on the coast of Bransfield Strait, eastern Livingston Island, Antarctica is named after him.[18]
![](http://upload.wikimedia.org/wikipedia/commons/thumb/2/21/Boris_Christoff%27s_Gravesite.jpg/250px-Boris_Christoff%27s_Gravesite.jpg)
References
[edit]- ^ a b c d e f g Rosenthal, Harold; Blyth, Alan (2001). "Christoff, Boris (Kirilov)". In Sadie, Stanley (ed.). New Grove Dictionary of Music and Musicians. Vol. 5 (2nd ed.). Macmillan Publishers Limited. p. 812.
- ^ Kozinn, Allan (June 29, 1993). "Boris Christoff, Bass, Dies at 79; Esteemed for His Boris Godunov". The New York Times.
- ^ a b Forbes, Elizabeth (29 June 1993). "Obituary: Boris Christoff". The Independent.
- ^ a b Anderson, James (1993). The Complete Dictionary of Opera & Operetta. Wings Book. p. 114. ISBN 0-517-09156-9.
- ^ "CHRISTOFF, Boris". The International Who's Who 1992-1993 (56th ed.). London: Europa Publications Limited. 1992. p. 306. ISBN 0-946653-84-4 – via Internet Archive.
- ^ a b Дейкова, Олга (1965). Борис Христов [Boris Christoff] (in Bulgarian). София: Наука и изкуство. pp. XV.
- ^ a b Каранджулов, Георги (2009). "Борис Христов и Македония". Македонски преглед (in Bulgarian). XXXII (1). Sofia: Македонски научен институт: 71–72.
- ^ a b Правчанска-Иванова, Ваня; Правчански, Николай (1990). Срещи с Борис Христов [Meetings with Boris Christoff] (in Bulgarian). Музика. p. 158.
- ^ "Борис Христов. Семейство, предци" [Boris Hristoff. Family, ancestors]. boris-christoff.net.
- ^ a b Божков, Атанас (1994). Борис Христов [Boris Christoff] (in Bulgarian) (2nd ed.). Пловдив, София: Булвест 2000, Полиграф Пловдив. pp. 26–27. ISBN 954-18-0024-6.
- ^ "CHRISTOFF, Boris". The International Who's Who 1979-1980 (43rd ed.). London: Europa Publications Limited. 1979. p. 231. ISBN 0-905118-36-7 – via Internet Archive.
- ^ Луканов, Нино. Борис Христов (in Bulgarian). pp. 22–23.
- ^ "Boris Christoff. Bulgarian and Russian Religious Chants". discogs.com.
- ^ Луканов, Нино. Борис Христов (PDF) (in Bulgarian). p. 96.
- ^ a b c d e "100 години (1914 – 2014) Борис Христов" (PDF). mc.government.bg.
- ^ Дейкова, Олга (1965). Борис Христов [Boris Christoff] (in Bulgarian). София: Наука и изкуство. pp. LV.
- ^ Дейкова, Олга (1965). Борис Христов [Boris Christoff] (in Bulgarian). София: Наука и изкуство. pp. LCVIII.
- ^ "Christoff Cliff". SCAR Composite Gazetteer of Antarctica.
External links
[edit]- Boris Christoff at IMDb
- Museum Boris Christoff (Sofia, Bulgaria)
- Borischristoff.dir.bg
- Discography of opera recordings (Capon's Lists of Opera Recordings)
- http://www.boris-christoff.net
- Boris Christoff - Life and Creative Work (Film of Ludmil Trifonov)
- The Voice That Prays for Bulgaria (Film of BNT on 100 Years From His Birth)
- His page on the Stars of Bulgarian Opera site with mp3 audio clips of selected arias
- BBC Radio 4 - Desert Island Discs, Boris Christoff, 21 August 1979
- "Boris Christoff as Boris Godunov", J. Warren Perry Photo Collection, University of Buffalo Digital Collections, State University of New York at Buffalo. Music Library, 1958
- "The Song of the Volga Boatman" (YouTube)
- Gounod aria from FAUST (YouTube)
- Works by or about Boris Christoff at the Internet Archive
- Boris Christoff discography at Discogs